It was introduced in the 50s and was built until the 60s. It is considered the last box camera from Agfa. The new price for the Clack was It was a great success and was sold over a million times. Today, you can get it quite easily for a few euros. The name comes from the shutter sound, of course.
The camera is wrapped in a black leather imitation snake look. There is an extendable handle on the side, which makes holding the camera much easier. The box camera, built in Munich, is quite simple in design. There is a meniscus lens in it, and the focal length is fixed at 95 mm. The shutter has two modes - timed B and instant M. The timed shutter is like B bulb.
It has a threaded socket to take a remote cable. A lever on the left side allows a yellow filter to be brought into play. Alternatively, this lever can also be used to bring in a portrait lens for close-ups. There are two flash contacts on the top of the camera. The red window has a swinging cover. On the base there is a tripod mount. The manual for this camera can be found here:- Agfa Clack 6x9 manual. However, holding it against a wall or other solid object would work as well. For quick snapshots, hold it firmly against your head.
If you don't want to bother with an exposure meter, follow the guide shown. It is based on the 'Sunny 16' rule. Film is so forgiving and will produce acceptable results even when overexposed by 2 or 3 stops or underexposed by 1 stop.
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The parts slide into each other, and are locked together by a large key on the bottom that, in Leica fashion, reads "Auf" open and "Zu" closed. Both halves are embossed with a leather-like pattern, complete with irregularities. The inside of the Clack reveals two film holders, one for the roll-off spool right and one for the roll-on spool left. The film is gradually transported from one spool to the other by a large, ratcheted silver-colored knob on top of the camera, that is linked one on one to the roll-on spool.
The "exposure counter" is a good old red window that permits a glance upon the frame numbers on the film's paper backing. The negative size is that large and ostensibly uneconomical, because in practice Clack negatives were not enlarged, but contact printed. Though nothing prevents you from loading film, it wouldn't be wise, because without the paper backing of film, it would be fogged immediately by the red window.
The Clack furthermore has no explicit provisions for different film sensitivities, but considering the era it was made in and the camera's slow shutter speed, I think a 50 or ASA film is implied. The Clack has a small viewfinder on top that consists of a plastic lens and an ocular. The world as seen through the viewfinder is tiny and barrel-distorted. Like most viewfinders it does the job if you're forgiving enough, but it's far from ideal.
The Clack has two shutter speeds: B and M. B is the Bulb setting: the shutter stays open for as long as the photographer keeps pressure on the lever. The M setting is the standard snapshot setting. I presume the 'M' stands for 'Moment'. It has to be a speed around that range, because the only film I ever shot in this Clack came out all motion-blurred. The Clack's shutter is triggered by the spring-loaded shutter release lever to the side of the lens barrel. The downward motion triggers the shutter; the upward spring-powered motion cocks it.
That way the amateur never had to remember to re-cock the shutter. The aperture holes are punched in a plate that rotates in front of the shutter at the flip of a switch. There is a third hole that contains a small positive lens: for pictures in the range of one to three meters. And that basically sums it up.
Complicated isn't the word. Though I would have a lot more to write if cameras could talk, because I'm sure the Clack has some strong stories to tell Meta Home Making web photographs Legal page about. Community member solinvictus shares his photos taken with discontinued Ektachrome, plus some tips on buying and shooting expired film.
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The Clack is a light viewfinder camera. It works great with ISO 50 slide films like Velvia, so use it while you can still get that film. Black and white ISO The Agfa Clack is a box camera produced by Agfa from to It was sold in North America as the Agfa Weekender. It is a simple camera which was aimed. Get the best deals on Agfa Clack Film Cameras when you shop the largest online selection at akinozilkree.xyz Free shipping on many items | Browse your.