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I have read and understand the information above, and wish to download the designated software. Get Product Support. Register Your Product. Available Colors :. Where To Buy. Wide-angle lens for Canon APS-C cameras equivalent to 38mm on a full-frame camera offers an ultra-slim and lightweight design.
Main Unit Spec. Lens Construction. Diagonal Angle of View. Focus Adjustment. Closest Focusing Distance. Filter Size. Diameter x Length, Weight. Read More. Another is that this attribute is not unusual for a fast wide angle lens - and software can correct it. And yet another is to embrace the look. Mount the 24 L II on a 1.
The images used for the Imatest vignetting test results link near top of this page are captured using auto exposure - if the results for one lens are darker than for those of another, it is because the camera and lens combination chose to expose it that way. I'll show some examples below. Flare is very well controlled - showing the least effect at wide apertures and the most at narrow apertures still not much.
There has been a slight improvement in this regard over the 24 L - I'll also share some flare examples below. This design creates a more-pleasing bokeh background blur quality. A 24mm lens is not able to create a diffusely blurred background like an 85mm lens, but it can still create blur at the widest aperture settings with close subjects. I haven't produced a comparison image that yet shows a significant improvement in bokeh over the 24 L, but the 24 L II is slightly better - creating slightly more blur.
I've been pointing out some differences between these two lenses throughout the review, but If you are shooting at the widest apertures, the answer is definitely yes. Let's look at a comparison below. And no noise reduction. Click on the image below opens a new window to compare several wide angle lenses to the 24 L II. This is the biggest improvement in the 24 L II in my opinion. I was never happy with wide open 24 L shots, and this reduced the usefulness of this lens to me.
Both are great. It is not up to the 24 L II contrast, color, sharpness in this comparison, but considering its price and size, it compares well. Unfortunately, this lens fares poorly in elsewhere in the frame - as you will see below. Let's take another look. Click on the image below to see another set of comparison crops extracted from the same set of images.
Again, this comparison in a new window. Use Alt-Tab to toggle back and forth between the review and the comparison. But, the 24 L II is still sharper at the wider apertures. Note the lateral CA that is especially visible at the downspout, the left-most tree trunk and around the white edges on the right side of the crop in the original 24 L. The 24 L II shows better results throughout the aperture range. Still a bit soft until stopped down with lots of CA.
Use the site's flare comparison tool to compare this lens with the rest. The 24 L II's shows flare closer to the corner of the frame - which is my preference as it generally keeps the effect farther from the primary subject s. The extra lens elements in a zoom lens often negatively influence their resistance to flare. There are many, many zoom lenses that incorporate 24mm into their focal length range, but I selected two of the better ones for this comparison.
All of the lenses in the above comparison have more barrel distortion than either of the 24 L lenses. Since the zoom lenses draw upon their maximum focal length, they produce healthier Maximum Magnification numbers on the chart - but the zooms do not focus as close and therefore produce lower MM than the 24 L II at their 24mm settings. If you want to shoot as close as possible at 24mm, the primes will do the job best. Add a 12mm Extension Tube and the 24 L primes will focus to.
A 24mm perspective at this magnification will be unique. The 24 L II accepts the common 77mm-sized filters. Note to Canon: it's time to give us center-and-side-pinch lens caps. I can get the included cap off with the hood attached, but it would be much easier to perform this task with the center-pinch option. Though it has a padded bottom, I consider it more of a pouch. Prior to the 24 L II's introduction, I rarely used a 24mm prime lens. I did not feel the image quality wide open was acceptable from the 24 L and stopping down reduced some of the benefit of a fast prime.
I instead usually selected the L or L IS for the versatility of the focal length range. I will now be making this decision a little more carefully. The L zooms will remain my most-used lenses, but the 24 L II will definitely be incorporated into my regular shooting.
The wider a lens is, the harder it is to create an excellent composition. But, done perfectly, wide compositions can be especially stunning. The 24mm focal length is wide enough to show a wide angle perspective - emphasizing the foreground subject, de-emphasizing but retaining the background making background details appear smaller but sharper and creating a sense of presence.
Even on a full frame body.
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