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After Joe tells 22 that her experiences were not purposes, 22 refuses and flees to find her spark with Joe tailing behind. As they run through a subway station, Terry traps them both and brings them back to the Great Before. Angry, 22 throws the badge at him and disappears into the zone. A Jerry informs Joe that a spark is not a soul's purpose in life, but Joe refuses to believe this and uses 22's badge to return to Earth. The night's show becomes successful, but Joe is upset at his unchanged life even after fulfilling his dream.
Looking at objects that 22 collected while in his body, and recalling the moments they had enjoyed together, he sees that these experiences have given 22 her spark. By playing piano, he enters the zone with the intent to return her badge but discovers that she has become a lost soul. He chases her down, showing her a maple seed she had collected to remind her of her time on Earth.
They realize that a spark is not a soul's purpose, but indicates an intention to live. Joe's actions restore 22 to normal, returning her badge and escorting her out of the Great Before for her journey to Earth. As Joe prepares to enter the Great Beyond, a Jerry stops him and offers another chance at life in gratitude for finally inspiring 22 to live. Joe returns to his body on Earth and starts the next day committed to enjoying life. The development of Soul began in January , when director Pete Docter sought new creative directions during the announcement of the 88th Academy Awards ,   before eventually pondering the origins of human personalities with the concept of determinism.
In his first meeting with co-writer Mike Jones , Docter pitched an idea set in spacetime involving souls with personalities. Pixar chose to portray the film's main character as a musician because they wanted an appealing profession for the audience, and settled that after trying for a scientist, which did not feel "so naturally pure".
Docter described Soul as "an exploration of" things which focused on it. With co-writer Kemp Powers 's help, he wrote Joe during the film's early development; his week contract was first given and was later extended. The filmmakers worked closely with them through the film's development.
The idea for the therapy cat and Joe landing inside its body came from Jones. Docter and Powers appreciated the idea, as it offered the filmmakers a much needed way for Joe to "be able to look at his own life from a different perspective" and appreciate it. Some versions of the ending featured Joe preparing whether to pass on to the Great Beyond, return to Earth a year later, or stay in the Great Before as a mentor.
Several brief scenes showing 22's life on Earth after her new birth, including one of her reuniting with Joe in New York, were storyboarded. Docter considered it very strong for the audiences' decision and ultimately discarded these scenes. Docter said Jamie Foxx was perfect for Joe, citing his comedy skills and musician background. Tina Fey , in addition to voicing 22, also contributed to the screenplay, helping to write her character's lines. Soul is Pixar's first film to feature an African-American protagonist.
They created black characters  and integrated African-American culture into the film's "DNA" to remove their caricature, stereotypes, and tropes. Animators used footage of several music performers, including Batiste, performing as reference for the film's musical sequences. By capturing MIDI data from the sessions, animators were able to retrace the exact key being played on the piano with each note and create the performances authentically.
According to Docter, the animators assigned to specific musical instruments often either had experience playing them or a great appreciation for them. The souls were animated by the filmmakers in a "vaporous", "ethereal", and "non-physical" way, based on their designs in definitions about those for various religious and cultural representatives. Animators created two designs for the souls in the film: one for the new souls in "The Great Before" described as "very cute, very appealing, with simple, rounded shapes" by supervising animator Jude Brownbill and one for mentor souls feature distinctive characteristics since they have been on Earth.
The design of soul counselors "Jerrys" originated from line drawings made by story artist Aphton Corbin; another one then created wire sculptures of them, upon which it was finalized. Soul 's main aspect was fantasy, representing its broad difficulty.
To address the issue, Docter elaborated on making his film Inside Out , determining its personified emotions with clarity and physicality. He also said that having many "very abstract ideas" to the aspect can "bring [ They sought inspiration from the architecture of s—s world's fairs , making a "sense of awe and importance". The astral plane sequence took months to create, despite having its short duration. Visual effects supervisor Bill Watral compared the sequence to Psycho 's shower one.
He said that Alfred Hitchcock and his team's reputation for the sequence was longer, as Pixar's filmmakers made attempts in dealing with Soul 's cinematography. Without futuristic camera equipment, they sought the usage of creative techniques to accomplish the film's docility. The filmmakers thought the most part of animating the astral plane was to have sands, liquids, and rocks.
In this process, the materials were separated, and then integrate their forms again. For New York, the filmmakers explored jazz clubs and pizza stops for Soul 's inspiration. Powers eventually derived the film's scenes from a barbershop, elaborating the family's relationship. Removing sublime computer-generated imagery that caused distortion to any of the film's surfaces. Musicians Trent Reznor and Atticus Ross of Nine Inch Nails composed an ambient score for the metaphysical segments of the film, while Batiste composed a number of original jazz songs for the New York City-based segments of the film.
The score and the original songs from Soul were released in two separate vinyl -exclusive albums, while also both being compiled onto a digital album. A second cover of the song, a duet between Batiste and British soul singer Celeste , was released alongside the film. It focuses on 22 leading a rebellion against her superiors.
Physical copies contain behind-the-scenes featurettes, audio commentary, and deleted scenes. The company also said that Soul was among the most-watched straight-to-streaming titles of the year, behind Hamilton and Wonder Woman The site's critical consensus reads, "A film as beautiful to contemplate as it is to behold, Soul proves Pixar's power to deliver outstanding all-ages entertainment remains undimmed. Several journalists praised Soul for its craftsmanship,   which they saw as an exercise of Docter's expertise,   as the film was considered a return of Pixar's form by some critics.
Scott of The New York Times expressed its "combination of skill, feeling and inspiration". The story, characters, and music were sources of praise. Kaleem Aftab of IndieWire felt the narrative "[veered] off in many unexpected directions, so that even the inevitable end point feels just right.
Reviews were not uniformly positive. Adonis Fryer of the Ohio student newspaper The Post concluded that "beautiful animation, strong voice acting, charming writing and easy-to-digest existential philosophy make Soul a compelling watch but does not make up for Disney's inability to truly center a black hero with agency.
She felt that "the studio had taken a few steps backward" in their racial sensitivity as Soul used the same trope of "turning Black characters into creatures". The result is Soul loses much of its emotional impact, with the third act playing out more like a rush to the finish line of the story without giving as much weight to the themes and emotional throughline of the film. Soul was included on a number of best-of lists.
It was listed on many critics' top ten lists in , ranking sixteenth. From Wikipedia, the free encyclopedia. This article may require copy editing for grammar, style, cohesion, tone, or spelling. You can assist by editing it. April Learn how and when to remove this template message. Pete Docter. Release dates. Running time. Jamie Foxx left in and Tina Fey in They voiced Joe Gardner and 22, respectively.
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Archived from the original on December 30, Les Echos in French. Archived from the original on January 25, Los Angeles Times. Archived from the original on January 18, Archived from the original on February 12, We use ecologically natural wax, natural essential oils and fragrance components imported from the perfume capital of the world - Grasse.
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